I can think of no one who’s a better and more generous community-builder than Derek Covington Smith, my friend and fellow artist from Brookhaven, Mississippi.
Case in point…
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Last summer, I had the good fortune of connecting with Annie Guldberg, an expressionist oil painter living in Mount Pleasant, Iowa (pop. 9724). She humored me by showing her incredible home studio and answering tons of questions over a lunch of Cuban sandwiches at The Grange Public House in downtown Mount Pleasant.
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If I had a dollar for every time I’ve been asked that in the last 12 months, I could probably take a pretty nice weekend somewhere. It’s one of those questions that I never have a decent and coherent answer to, and in the spirit of self-betterment, I thought it was time to hold myself accountable.
All of the following are true. Some are true more days than others.
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“Without the foundation of the wheel, it would be difficult to produce movement. It was the wheels of those wagons that propelled the Poor People’s Campaign forward, and those wagon wheels will now be parted permanently along the Mule Train Interpretative Trail”, Katrina Rankin, Emmy Nominee, “The Mule Train: Poor People’s Campaign Continued” Documentary.”
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I made a short video about the early stages of Cultivation, a new painting still in progress that’s based on a conversation I had in 2019 with Benjamin Saulsberry, Public Engagement and Museum Education Director of the Emmett Till Interpretive Center in Sumner, Mississippi.
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Hey, can we start Community New Years Resolutions? Is that a thing? Can we make it a thing?
And more specifically, can those community resolutions be geared on your local art community? Sound good? You with me, here? Great. :)
Behold. 13 Tips to Better Support Your Local Artists.
(I’ve made it easy for you. One for each month, plus a bonus.) And May I suggest you bringing a couple to your next civic meeting to brainstorm? Y’all can do a lot with a little focus.
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I’m so thrilled to end the year with an interview of Anna Jinja Kees, my friend and all around amazing human being. Anna and I connected this year through our mutual friend, Akwi Nji, and became instant friends. Also Ames-based, Anna’s energy is uplifting, inspiring, and infectious. She’s one of those folks who infuses every conversation, gathering, and organization with connection, creativity, and empowerment. Ames sure is lucky, that’s all I’m saying.
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I first saw Ames-based artist Kaleb Stevens (known artistically as KUB) perform back in early 2020 at the Black Arts and Music Festival at the Ames Public Library and immediately began following his work. In addition to being a full-time student, and an active community-driven artist, Kaleb also serves as the Planning and Engagement Coordinator for UnEvictIA, a placemaker for Des Moines-based Group Creatives Services, and was most recently an intern for the Center for Artistic Activism, an international organization providing training and support for artist activists. Needless to say, I was really excited when Kaleb agreed to be interviewed as part of For the Common Good.
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One of the most hilarious things I’ve ever heard while doing extension work is the concept of the STP. This is not a reference to Stone Temple Pilots or motor oil, but to the Same Ten People.
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I don’t know how to knit. That is significant for two reasons. First, as a community art specialists and an academic, I’m supposed to know how to do things. Second, and more surprisingly, in 2016, I organized Intertwine, a project involving 125 makers from across the country to yarn bomb ISU Design on Main, a storefront in downtown Ames that was a former satellite studio facility for Iowa State University’s College of Design and included a community gallery space.
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A few weeks back, I had the opportunity to publicly talk shop about intersections of art and conservation in Iowa with two ISU Extension and Outreach colleagues: Catherine DeLong, program manager, Water Quality, and Adam Janke, assistant professor and extension wildlife specialist. As a once avid hiker, I’m embarrassed to say that I’d never really considered the parallels between natural resource conservation and art until meeting Adam and Catherine.
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If you live in Iowa, you likely don’t need an introduction to Des Moines artist Jill Wells. Her creative impact can be found in communities across the state, from her murals in Iowa City to her Artist X Advocacy mentorship program in Des Moines.
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If you find yourself in need a off-the-beaten road trip, might I suggest the Porcupine Mountains in northern Michigan? Read on for a weekend’s worth of what to do, see, and where to stay as you head north.
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Say what?
Artist who?
In a sentence, Artist Relocation Programs attempt to lure artists to live and work in their communities, knowing full well that artists can transform places.
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I’ve found over the years that those communities making the most impactful, inclusive, and sustainable changes are those places that have a “yes, and” mentality and attitude. “Yes, and” is shorthand for being willing to seek out and listen to different perspectives and to experiment with different possibilities.
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Jennifer Brockpahler is one of the hardest working people I know. Hands down.
This woman gives of herself tirelessly to our community as the director of the Ames Community Arts Council, which is her second full-time job. (It’s no secret that many nonprofit art positions can only offer funding on a part-time basis and usually without benefits, requiring folks to make sacrifices and work A LOT.)
As the Ames Community Arts Council (ACAC) director, Jen oversees a multitude of community arts projects, mentors interns, and builds creative partnerships across Story County.
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Located 20 miles from Oxford, Mississippi, in nearby Yalobusha County, Water Valley (pop. 3325) got its start in the 1800’s as a railroad stop for the Illinois Central Railroad. In the last decade, Water Valley has been home to one the first craft breweries in the state, Fat Possum Records, Violet Valley Bookstore (to date Mississippi’s only queer feminist bookstore), and Base Camp Coding, a free, non-profit software development academy for Mississippi high-school seniors.
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On any given day, I feel like I don’t know what I’m doing. Still. Seven years in. I’ve learned by doing, screwing up, changing, redoing. From watching other folks way wiser and more experienced than I am.
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Let’s first establish that the College of Design (CoD) at Iowa State University is a pretty big place, all things considered. Seven departments, multiple degree program, 1600+ undergraduate students, 150+ graduate students, loads of faculty and staff.
Among and amidst all these other folks, I kept crossing paths with artist and architecture student, Rami Mannan. I remember being slack-jawed first seeing Rami’s drawings in both the CoD and at ISU Design on Main. Who made these?
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In the midst of any kind of crisis, we don’t have the emotional bandwidth to wax poetic about why artists matter and why we need support. We’re literally trying to get through the next minute or hour without losing our minds. Here’s checklist of what to do when you don’t know where to start.
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