Thoughts about art and community.
I give you my final painting of and about the Water Valley community. The large brick building houses the B.T.C. and the tiny white awning is the Violet Valley bookstore.
This piece is emblematic of how the community has continued to evolve over the decades, or at least according to the stories that I've heard.
Read MoreThis past summer, I had a show at the E.E. Bass Cultural Arts Center, home of the Greenville Arts Council. As I was prepping for the exhibition, it occurred to me that I didn’t have any pieces of the Mississippi River itself.
Which is embarrassing and shameful, for the following reasons: 1) I’ve lived within 150 miles of this behemoth for 40 of my 45 years on the planet, and 2) the Mississippi River makes Greenville, Greenville.
Read MoreIf you’ve ever spent time in the Mississippi Delta, you likely noticed, among other things, the presence of tamales on nearly every menu and tamale stands in most towns. Sometimes literally driving down the highway.
Read MoreI garden because my mother gardens.
My mother gardens because her father gardened, and his people gardened, and their people gardened.
We come from a long line of east Mississippi dirt farmers.
Read MoreI made a short video about the creation of Ingrained Care, a painting inspired a conversation I had in 2019 with Drick Rodgers and Julia Rodgers Clark in Rolling Fork, Mississippi. Watch the painting unfold and read the community story that inspired it.
Read MoreI made a short video about the early stages of Cultivation, a painting that’s based on a conversation I had in 2019 with Benjamin Saulsberry, Public Engagement and Museum Education Director of the Emmett Till Interpretive Center in Sumner, Mississippi.
Read MoreIn 2011, Oskaloosa’s Skate and Bike Park broke ground. This urban park sits north of Penn Central Mall and downtown Oskaloosa and was funded by grants from the Tony Hawk Foundation, the MCRF, local donations, and young folks fundraising.
Read MoreGet a peek at the inspiration behind and the unfolding of The Book Vault, the first painting of 2024…
Read MoreAllison and Andy McGuire, two theatre-makers at the George Daily Community Auditorium, zipped me over to this magical spot in their golf cart during a tour of the town.
Here’s the run down of what they shared with me.
Read MoreI asked William Coppage, my old friend and forner director of the Washington County Economic Alliance, to help flesh out a fun weekend in and around Greenville. Here are some of his suggestions, along with my comments.
Read MoreGreetings! In this final installation (see what I did there) of how to hang art on your walls, we’ll be going over the nuts and bolts (ha) of the hanging part, i.e. what tools you need, measuring formulas, and best practices for showcasing your work in the best light possible (it’s just too easy).
Read MoreMy awesome intern Paige created this short video about the evolution of Deep Roots, the final painting inspired a conversation I had in 2019 with Drick Rodgers and Julia Rodgers Clark in Rolling Fork, Mississippi.
Read MorePlacing art within a space can be intimidating, particularly if you’re a newbie. Where should it go? How do you create a meaningful visual experience in your home? Do you need all new furniture to match new work? And finally, how do you hang art, particularly if you’re allergic to power tools?
Let’s walk through some of these questions one by one.
Read MoreI am cheap. I come from a long line of proud cheapskates. My mother had us bring home Ziploc bags from our lunchboxes so she could wash and reuse them. I am incapable of throwing cardboard boxes away and I make my own damn chicken broth. I try to trick myself into believing I’m some kind of misplaced pioneer or a diehard environmentalist, but really, I am cheap. So no surprise that when I absolutely must frame something, you better believe I am going to find a “vintage” option. Here’s a list of tips that I use to find perfectly good frames to upcycle.
Read MoreLast week, I wrote a little about discerning whether you need a frame or not.
And you may have thought “I just spent a bunch of money, so it’d be great NOT to frame” or decided “I want to display my cool postcard or print collection and I do NOT want to wait until I can afford frames for all 78 of them.”
Congrats! You’re not alone! And you have lots of options!
Read MoreI once taught a class at Iowa State University on how to run a gallery and how to use the gallery to engage the local community. One of the first classes each semester was on how to install an art exhibition. This involved spreadsheets, cleaning supplies, post-it notes, levels, drills, and lots of math. I get a lot of questions from friends and family on the reg about where and how to frame and hang their art, so I thought I would share some insight.
Read MoreWelcome back! For the past two weeks, we’ve discussed why you should begin an art collection, and how to start an art collection. This final segment is a best-practices-approach to buying art: connecting with artists, supporting their practice, and purchasing their work.
Read MoreMaybe you definitely would like to support more artists and buy more art, and you have no idea where to begin. You’re in luck! Here are a couple steps to get you clear on the art and artists you’d like to support, plus a few ideas on how to find these wonderful folks.
Read MoreTrue confession: It took me 34 years to call myself an artist. I’m embarrassed to say that I associated that label with a whole mess of bad connotations that I mistakenly bought into and wanted to avoid. I also had major imposter syndrome, and being told by a former professor that I didn’t have any talent really didn’t help matters.
Read MoreI made a short video about the creation of Ingrained Care, a new painting inspired a conversation I had in 2019 with Drick Rodgers and Julia Rodgers Clark in Rolling Fork, Mississippi.
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