THOUGHTS

Thoughts about art and community.

Posts in creativity
For the Common Good: A Community Artist Interview with Akwi Nji

I’m so delighted to feature my friend (and one of my favorite artists, period) Akwi Nji in the community artist interview series, For the Common Good, as she truly encapsulates the essence of what this series celebrates. Each participating artist responds to a series of questions about how their personal and community creative practices align. It’s my hope that these interviews provide insights into how and why artists work with communities, both to artists aspiring to do this work, as well as to communities who strive to engage more creatively with their residents.

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POW! A Plan of Work Template for Community Art Projects

We often don’t know what we don’t know, which can be paralyzing when starting something new. This POW will prompt you to have necessary conversations with yourself, your collaborators, and your community, such as: “What are we really trying to do here? Why does it matter? What is our timeline/budget/materials? Who’s doing what by when? How do we know if this has been a successful effort?”

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Marks Mule Train & Martin Luther King, Jr.’s Poor People’s Campaign (Marking the Mule Train Cultural Trail)

“On May 13, 2021, history was made once again in Marks, Mississippi. After three years of planning and hard work… the Civil Rights Marks Mule Train Interpretive Trail was unveiled to commemorate the 53rd Anniversary of the 1968 Mule Train & Martin Luther King, Jr’s Poor People’s Campaign.

This historic trail showcased eleven markers, displaying the history and activities, which took place fifty-three years ago of Dr. King’s visit to Marks/Quitman County, and earned Marks the duly distinction of being known as the ‘Home of the Mule Train.’ ” Text by Velma Benson-Wilson and Cynthia Goodloe Palmer

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The Power of Artist-in-Residence Programs for Artists and Communities

If you’re a civic leader, or part of a community organization, you may consider the benefit of inviting a local artist to be a part of what you’re doing. Or you could invite a non-local artist to live in your community for bit. We creatives thrive on transforming a set of challenges into a new possibility. Our brains are wired to see potential, to see something better.

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Alternatives to Traditional Framing

Last week, I wrote a little about discerning whether you need a frame or not.

And you may have thought “I just spent a bunch of money, so it’d be great NOT to frame” or decided “I want to display my cool postcard or print collection and I do NOT want to wait until I can afford frames for all 78 of them.”

Congrats! You’re not alone! And you have lots of options!

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Whether to Frame?

I once taught a class at Iowa State University on how to run a gallery and how to use the gallery to engage the local community. One of the first classes each semester was on how to install an art exhibition. This involved spreadsheets, cleaning supplies, post-it notes, levels, drills, and lots of math. I get a lot of questions from friends and family on the reg about where and how to frame and hang their art, so I thought I would share some insight.

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How Can Community Arts Help People Feel Like They Belong in Your Town?

Recently, I co-facilitated How Can Community Arts Help People Feel Like They Belong in Your Town?, a Small City Workshop for the Iowa League of Cities.

This workshop is part of the Rural Shrink Smart initiative, a interdisciplinary team funded by the National Science Foundation that's exploring how to increase the quality of life in rural communities with shrinking populations.

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Patterns

Creatively, I've been mulling over patterns. Literal and physical patterns in our environment, such as architecture, wallpaper, row crops, as well as cultural patterns. How single motifs or behaviors add up in meaningful ways over the course of a lifetime of a person or a landscape or a community. How we repeat the same societal patterns over and over and over until they become calcified habits in our communities, no matter the cost or damage.

And how change happens in spite of all that.

(You know. Breezy stuff.)

Here's how that's starting to show up on the easel.

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Work with What You Got

When I first started working for Iowa State Extension and Outreach, I learned to focus on the assets a town has and not on their deficits. I’ve found this to be so helpful and so effective. I grew up in Mississippi and I’ve lived in Iowa for the last 15 years. In both states, I spend a lot of time driving around and listening the stories. It’s the best part of my job. In each new community I visit, I inevitably meet hear about someone doing some really creative thing to make their community better. These folks are scrappy – pulling together local resources and assets and talents together that’s grassroots, creative, and locally impactful.

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Gathering Spaces: The How Matters

Last month, I was invited to participate in the Placemaking in Small & Rural Communities Virtual Conference hosted by the amazing Arts Extension team at the University of Kentucky. (They are the OG of community arts extension and rural placemaking.)

I thought I’d share a few key points from that presentation over the next few weeks, including 4 common themes that I’ve noticed in effective and inclusive rural placemaking efforts.

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