art + exploration by Jennifer Drinkwater

THOUGHTS

Thoughts about art and community.

Posts in creativity
For the Common Good: A Community Arts Leader Interview with Allison McGuire

Back in 2017, I had the very good fortune of meeting Allison and Andy McGuire, two talented and community-centered theatre-makers from the George Daily Community Auditorium in Oskaloosa, Iowa (population 11,463). The Auditorium had just been awarded an Arts Build Communities grant from the Iowa Arts Council to create Home Again, a multimedia variety show to explore and share the many stories of the Oskaloosa and Mahaska County communities.

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Introducing Pop-Up! A Toolkit for [fun, invigorating, life-affirming] Temporary Experiences

I can't wait to share the fourth Community Arts Toolkit with y'all.

Pop-Up! offers an introduction to the nuts and bolts of planning for and pulling off a pop-up experience, be that an exhibition, a one-night event, an out-of-the-box community experience, or anything in between. Ideally, this toolkit will aid you in being thoughtful about every decision you make so you can squeeze the most mileage out of your event.

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Meet Benjamin Saulsberry: A What's Good Project Interview

Please make the acquaintance of Mr. Benjamin Saulsberry, the Public Engagement and Museum Education Director of the Emmett Till Interpretive Center (ETIC) in Sumner, Mississippi (pop. 310). I met Benjamin in 2019 during an impromptu trip to Sumner to visit the ETIC, and he was gracious enough to agree to be interviewed a couple months later. Please enjoy a few snippets of our 2019 conversation - lightly edited for clarity.

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For the Common Good: A Community Artist Interview with Akwi Nji

I’m so delighted to feature my friend (and one of my favorite artists, period) Akwi Nji in the community artist interview series, For the Common Good, as she truly encapsulates the essence of what this series celebrates. Each participating artist responds to a series of questions about how their personal and community creative practices align. It’s my hope that these interviews provide insights into how and why artists work with communities, both to artists aspiring to do this work, as well as to communities who strive to engage more creatively with their residents.

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POW! A Plan of Work Template for Community Art Projects

We often don’t know what we don’t know, which can be paralyzing when starting something new. This POW will prompt you to have necessary conversations with yourself, your collaborators, and your community, such as: “What are we really trying to do here? Why does it matter? What is our timeline/budget/materials? Who’s doing what by when? How do we know if this has been a successful effort?”

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Marks Mule Train & Martin Luther King, Jr.’s Poor People’s Campaign (Marking the Mule Train Cultural Trail)

“On May 13, 2021, history was made once again in Marks, Mississippi. After three years of planning and hard work… the Civil Rights Marks Mule Train Interpretive Trail was unveiled to commemorate the 53rd Anniversary of the 1968 Mule Train & Martin Luther King, Jr’s Poor People’s Campaign.

This historic trail showcased eleven markers, displaying the history and activities, which took place fifty-three years ago of Dr. King’s visit to Marks/Quitman County, and earned Marks the duly distinction of being known as the ‘Home of the Mule Train.’ ” Text by Velma Benson-Wilson and Cynthia Goodloe Palmer

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The Power of Artist-in-Residence Programs for Artists and Communities

If you’re a civic leader, or part of a community organization, you may consider the benefit of inviting a local artist to be a part of what you’re doing. Or you could invite a non-local artist to live in your community for bit. We creatives thrive on transforming a set of challenges into a new possibility. Our brains are wired to see potential, to see something better.

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Alternatives to Traditional Framing

Last week, I wrote a little about discerning whether you need a frame or not.

And you may have thought “I just spent a bunch of money, so it’d be great NOT to frame” or decided “I want to display my cool postcard or print collection and I do NOT want to wait until I can afford frames for all 78 of them.”

Congrats! You’re not alone! And you have lots of options!

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Whether to Frame?

I once taught a class at Iowa State University on how to run a gallery and how to use the gallery to engage the local community. One of the first classes each semester was on how to install an art exhibition. This involved spreadsheets, cleaning supplies, post-it notes, levels, drills, and lots of math. I get a lot of questions from friends and family on the reg about where and how to frame and hang their art, so I thought I would share some insight.

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